Oppression of the Powerless as a Tool for Character...

In Juan Rulfo’s Pedro Pà ¡ramo, various forms of oppressive behavior are manifested in the town of Comala – these range from the simple, readily apparent abuse of power to keep a population in line, as Pedro Pà ¡ramo, having complete control over Comala, regularly does, to the very sinister use of religion as a means of reinforcing the patriarchal ideal held by contemporary Mexican society. In describing the oppression of society-at-large, Rulfo shows the sinister relationship that exists between power and the corruption of one’s moral standards through Pedro Pà ¡ramo and Father Renterà ­a. It has been said of power that it corrupts they who hold it, and that absolute power corrupts absolutely. In looking at the oppression of the powerless for the sake of Pedro Pà ¡ramo’s bastard son, there has never been a more apropos statement with reference to both the father and to the man who forgives him on behalf of God. While Miguel Pà ¡ramo was never punished while he was amongst the living due to his father’s immense influence and wealth, Father Renterà ­a had the opportunity to, as the priest in Comala, condemn Miguel for his abhorrent crimes against humanity – not the least of which included the rape of Renterà ­a’s niece Ana and the murder of her father – by not giving his final blessing, which would have resulted in his condemnation to Hell for time immemorial – a punishment truly befitting of such an awful human being. When it came down to it, though, the Father bent to the hand of Pedro

Analytical Argument What Deserves to Belong in The...

What rightfully belongs in Stephen Prothero’s anthology? Creating an anthology is complicated because the author has to find texts that fit in to a specific topic of emphasis he wants for his book. The author might have specific principles he would like to address to tie together one single idea for the book. Prothero had many novels and books to choose from and I think he did a great job in choosing works of writing that merged with his principles about America. Based on what I have seen is his criterion, I believe that the film 12 Years a Slave directed by Steve McQueen, rightfully belongs in Prothero’s The American Bible: Whose America is this? This film belongs in Prothero’s text because it perfectly fits and follows all the criteria Prothero used to choose all the works in his anthology. Prothero’s criteria for choosing the novels and speeches for his collection can be classified as only choosing â€Å"the most influential writings of Americans, by Americans, and for Americans†(5). Prothero aims to include works that contribute to the controversial aspect of America and it’s important because â€Å"it is a record of what Americans value enough to fight about†(6). Instead of choosing one side of the argument, Prothero seems to report on both sides of the controversy and he wants to convey what Americans truly believe in. Prothero doesn’t want to voice his personal opinion instead, he wants books that â€Å"Americans themselves have made sacred† that demonstrate what Americans idealsShow MoreRelatedSociology and Group41984 Words   |  168 Pagescourt case. e. A congregation listening to a sermon. Answer: d. Jury members deliberating a court case. . A group with 7 members has the potential for _______ different types of interactions. a. 9 b. 90 c. 666 d. 900 e. 966 Answer: e. 966 . What is the ideal group size for a problem-solving discussion? a. 3–5 people b. 4–6 people c. 5–7 people d. 6–9 people e. 8–12 people Answer: c. 5–7 people . According to your textbook, the most important factor separating successful groups fromRead MoreCleanth Brookss Essay Irony as a Principle of Structure9125 Words   |  37 Pagescultural and critical theory library Open source archive of ebooks, texts, videos, documentary films and podcasts Pages * Home * List of major critical theorists * What is Critical theory ? * What is Frankfurt School ? * Support Critical Theory Library * Contact This Blog This Blog  Ã‚  Ã‚   |    | ------------------------------------------------- Top of Form Bottom of Form    Home  » texts  » History amp; Class Consciousness: Preface by Georg Lukà ¡cs (1923) Thursday, February 3, 2011Read MoreLogical Reasoning189930 Words   |  760 Pagesstructure of arguments. David M. Adams, California State Polytechnic University These examples work quite well. Their diversity, literacy, ethnic sensitivity, and relevancy should attract readers. Stanley Baronett. Jr., University of Nevada Las Vegas Far too many authors of contemporary texts in informal logic – keeping an eye on the sorts of arguments found in books on formal logic – forget, or underplay, how much of our daily reasoning is concerned not with arguments leading to truth-valued Read MoreRastafarian79520 Words   |  319 Pagesprivileging of lighter-skinned people was standard practice. Rastas were confronting so many of these long-held notions and so were bound to face a great deal of resistance. What Edmonds manages to do here is offer us a way to appreciate the importance of Rastafarianism as a religious phenomenon that is consistent with much of what happens when religious groups and movements grow and develop. Indeed, there is a remarkable logic to the development of Rasta that deï ¬ es the notion that it is a movementRead MoreStephen P. Robbins Timothy A. Judge (2011) Organizational Behaviour 15th Edition New Jersey: Prentice Hall393164 Words   |  1573 PagesISBN-10: 0-13-283487-1 1. Organizational behavior. I. Judge, Tim. II. Title. HD58.7.R62 2012 658.3—dc23 2011038674 10 9 8 7 6 5 4 3 2 1 ISBN 10: 0-13-283487-1 ISBN 13: 978-0-13-283487-2 Brief Contents Preface xxii 1 2 Introduction 1 What Is Organizational Behavior? 3 The Individual 2 3 4 5 6 7 8 Diversity in Organizations 39 Attitudes and Job Satisfaction 69 Emotions and Moods 97 Personality and Values 131 Perception and Individual Decision Making 165 Motivation Concepts 201 Motivation:Read MoreCrossing the Chasm76808 Words   |  308 PagesCROSSING THE CHASM. Copyright  © 1991 by Geoffrey A. Moore. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means,

Beyonce Feminism Essay Example For Students

Beyonce Feminism Essay Word Count: 1614Even in todays growing world of , young girls, as well as grown women, are being taught by the media to organize their lives around men. Their needs, expectations, work schedules, ideas, and interests become second to the men in their lives. All too often the media associates power and status to men, only to strengthen the barriers between the male and female genders. Take for example Hollywood, where women get only about a third of all movie and TV roles, and last year earned less than male actors in all age categories (Eby, 1). And even though gender should not be used as the determining factor of what one can and cannot do, Hollywood, as well as everywhere else, has proven that the old habits of gender discrimination die hard, if at all. Luckily, there exist screenwriters and filmmakers who arent afraid to step outside the limitations of gender, stirring up some controversy. Callie Khouri, creator of Thelma and Louise is the exception to this rule. Awarded Best Original Screenplay, the film challenges our preconceived notions of gender limitations by giving a feminine twist to a pair of all too familiar Hollywood genres, the road picture and the buddy picture(NY Times, 1991). The road and buddy movie usually calls for men in the lead roles, whereas Thelma and Louise called for Geena Davis and Susan Sarandon. A film such as this one allowed for two women to get into dangerous trouble, enjoy themselves, and unmask the other sex; actions normally reserved for men (NY Times, 1991). According to Ms. Khouri, the script of Thelma and Louise was infact, a conscious effort to counter what she sees as Hollywoods tendency to limit womens roles to easily identifiable types such as bimbos, whores, and nagging wives(NY Times, 1991). She therefore uses the characters in the movie not so much to prove a point, but instead to make a point. At the same time that Ms. Khouri is making her point, the movie becomes somewhat of a catharsis for women. Thelma and Louise is supposed to be about what every woman knows(Eby,4). Though rape is a major issue that is used in the movie, it is not supposed to be the only issue women relate to. The general comparison between the women on screen and the women in the audience should be the feeling of at one time or another having been threatened, having been treated as inferior, or having found oneself in situations where a womans voice is never louder than a mans. One example of a cathartic, yet controversial scene would be that in which Louise kills Thelmas assailant, Harlan. This scene itself carries a great deal of symbolism. Harlan, the rapist who is eventually shot, becomes a representation of all things that hold women back. He becomes the wall which holds back women from fulfilling their wishes, ambitions, pleasures, and impulses(NY Times, 1991). Thelma is who we are, a prisoner behind this wall and Louise is who we want to become. .. the prisoner who breaks free and confronts those who held her back. Another cathartic scene is that in which Thelma and Louise confront the truck driver who has been harassing them the entire distance of their road trip. That truck driver is someone almost every woman has dealt with at some time or another. There is not a woman in the world who has not dealt with that guy. He is out there in force, but when youre walking down the street and guys do that, what youre supposed to do as a woman is ignore it(LA Times, 1991). After ignoring the truck driver throughout most of the movie, Thelma and Louise take a stand, not only for themselves but also for all the women who have wished they could say something back, but havent for whatever reason it may be. .ufdaf955e47a2f95148e1ecd9c54eb931 , .ufdaf955e47a2f95148e1ecd9c54eb931 .postImageUrl , .ufdaf955e47a2f95148e1ecd9c54eb931 .centered-text-area { min-height: 80px; position: relative; } .ufdaf955e47a2f95148e1ecd9c54eb931 , .ufdaf955e47a2f95148e1ecd9c54eb931:hover , .ufdaf955e47a2f95148e1ecd9c54eb931:visited , .ufdaf955e47a2f95148e1ecd9c54eb931:active { border:0!important; } .ufdaf955e47a2f95148e1ecd9c54eb931 .clearfix:after { content: ""; display: table; clear: both; } .ufdaf955e47a2f95148e1ecd9c54eb931 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ufdaf955e47a2f95148e1ecd9c54eb931:active , .ufdaf955e47a2f95148e1ecd9c54eb931:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ufdaf955e47a2f95148e1ecd9c54eb931 .centered-text-area { width: 100%; position: relative ; } .ufdaf955e47a2f95148e1ecd9c54eb931 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ufdaf955e47a2f95148e1ecd9c54eb931 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ufdaf955e47a2f95148e1ecd9c54eb931 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ufdaf955e47a2f95148e1ecd9c54eb931:hover .ctaButton { background-color: #34495E!important; } .ufdaf955e47a2f95148e1ecd9c54eb931 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ufdaf955e47a2f95148e1ecd9c54eb931 .ufdaf955e47a2f95148e1ecd9c54eb931-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ufdaf955e47a2f95148e1ecd9c54eb931:after { content: ""; display: block; clear: both; } READ: A Raisin In The Sun Essay Prompts All the suppressed emotions and unsaid words of both the woman on screen and those sitting in the audience manifest themselves into an explosion which blows up the truck drivers sense of power not to mention the truck itself. Feminism has often been confused with male-bashing, as is the case with the motivation behind Thelma and Louise. According to Ms. Khouri, its none of these things(LA Times, 1991). The movie is a role reversal which gives women the opportunity to shine in the lead role, a concept which seems to make the male population uneasy. For those who claim that the movie is a chick revenge flick, Ms. Khouri adds, you cant do a movie without villains(LA Times, 1991). In this case, the villains happen to be of the male gender. It is the male characters in the movie which make our leading ladies who they are and who they later turn out to be. These men who either desire, fear, hate, or need these women become somewhat of a motivation to break free from their current situations. The movie seems to use the premise that woman will never be totally free from men, except as we see, possibly in death. Throughout the movie, the male characters never give up trying to control, exploit, punish or save Thelma and Louise. Watching the movie, it is important to note how each man, one after the other, pursues these women and will not them go. Not even Hal, the one man who seems to understand Thelma and Louise, can let them go. He cant help but feel the need to save the two woman, even as he chases their car as Louise floors it and the 66 T-Bird sails out over the edge of the Canyonlands Cliff(Eby, 2). Though the movie is about two women finding themselves, it is the men surrounding them who define their roles. Darryl, Thelmas husband is just one example. Thelma, when introduced to the audience resembles somewhat of a naive, helpless child going away on her own for the first time. She has apparently never gone away without Darryl and she cant even bring herself to tell him that she is going away for the weekend. As Louise puts it, Darryl who is like the parent rather a husband, defines Thelmas role. For Christ sake, Thelma is he your husband or your father? Its just two days. .. Dont be a child. Darryls role as the domineering and protective husband/father figure has created the Thelma introduced to us in the beginning of the movie; he has also helped create the Thelma which we the audience have come to grow with and identify with at the end of he movie. Another important aspect of the movie is the transformation which both women undergo. In order to intensify the significance of the final transformation, it is important to note how the two women are introduced. Note that in the beginning of the movie, Thelma is introduced to the audience as a somewhat wacky, small town Arkansas housewife, under the thumb of a chauvinistic husband(LA Times, 1991). She is presented as young and pretty with wild hair and skimpy outfits. As we see in the packing scene in which she prepares for her weekend getaway, she is cluttered, wrinkled, and unorganized. Louise on the other hand is a strong-willed coffee shop waitress who seemingly has everything under control(LA Times, 1991). She is incredibly neat and organized, wears boring clothes compared to Thelma, and has tamed hair. As the audience watches her in the packing scene, we notice that she packs her sneakers into a Ziplock bag and washes the lone dirty glass in the sink before heading off. .u5609af9833f00a9e65d2ff34f004d97a , .u5609af9833f00a9e65d2ff34f004d97a .postImageUrl , .u5609af9833f00a9e65d2ff34f004d97a .centered-text-area { min-height: 80px; position: relative; } .u5609af9833f00a9e65d2ff34f004d97a , .u5609af9833f00a9e65d2ff34f004d97a:hover , .u5609af9833f00a9e65d2ff34f004d97a:visited , .u5609af9833f00a9e65d2ff34f004d97a:active { border:0!important; } .u5609af9833f00a9e65d2ff34f004d97a .clearfix:after { content: ""; display: table; clear: both; } .u5609af9833f00a9e65d2ff34f004d97a { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u5609af9833f00a9e65d2ff34f004d97a:active , .u5609af9833f00a9e65d2ff34f004d97a:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u5609af9833f00a9e65d2ff34f004d97a .centered-text-area { width: 100%; position: relative ; } .u5609af9833f00a9e65d2ff34f004d97a .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u5609af9833f00a9e65d2ff34f004d97a .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u5609af9833f00a9e65d2ff34f004d97a .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u5609af9833f00a9e65d2ff34f004d97a:hover .ctaButton { background-color: #34495E!important; } .u5609af9833f00a9e65d2ff34f004d97a .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u5609af9833f00a9e65d2ff34f004d97a .u5609af9833f00a9e65d2ff34f004d97a-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u5609af9833f00a9e65d2ff34f004d97a:after { content: ""; display: block; clear: both; } READ: Immigration Argumentative Essay..(Eby, 2). Unlike Thelma, Louise understands men well enough to know when to hate them (Harlan, the rapist), to fear them, to suspect them (JD, the hitchhiker), to love them (Jimmy, her boyfriend), and to respect them (Hal, the detective). Throughout the movie, the roles slowly seem to reverse. Louise had been the one in charge and in control, but slowly she begins to snap under the pressure. In one particular scene, the role reversal becomes most obvious to the audience. Louise finds out that Thelma has left JD alone in her hotel room with the money which Jimmy had brought them. By the time the girls make it back to the room, JD and the money are long gone. Louise comes to the realization that the control she once possessed has now escaped her. Thelma, who watches as her friend crumbles before her eyes, realizes that she needs to break free from her child-like persona and take control of the situation. Thelma takes on a new sense of responsibility and maturity. She gives Louise a chance to finally let her guard down. This is a movie about the adventures of women, and thats rare. And that really sad that its rare and we cant think of another movie like this(LA Times, 1991). Thelma and Louise was a movie written and produced to give women an opportunity to finally tell their story in a society where the media is all too often dominated by males. This was an opportunity to move females from the roles of girlfriend and side interest into the leading role. It is no longer about a mans experiences and a mans adventures.